I’ve made a decision: A little drama in the bath is a very good thing. Everyone knows I’m a proponent of white baths — and there are so many exquisite ones — but somehow a bath clad in dark tile or paint just feels new and exciting. Perhaps a better way to describe it would be romantic, or maybe even moody.

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I love cement tile. An early version of it is documented in the dwellings and public buildings of Pompeii and Herculaneum; archeologists found small chards of glass or stone embedded in cement-like floors. During the Renaissance, cement floors were meant to be an intricate works of art. Interest in the material all but disappeared for centuries.  But during the late 19th century, it was rediscovered and used during the French Belle Epoque and Art Nouveau periods. It was often found in restaurants and vestibules valued for its durability and decoration. The manufacturing revival of the cement manifested itself in the form of tiles; they were easy to manufacture, install and readily available.

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I am just back from Cuba and have not had time to process any of my photographs. Instead, I am sharing another great bath.

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I love so many things about the three baths pictured here. All were created by Alexandra and Michael Miscczynski of the firm Interiors/Atelier AM (I highly recommend picking up a copy of their book). This young California couple with an eclectic style is able to assemble objects and furniture from all over the world and seamlessly bring them together in an honest and straightforward way. Clearly, this is not as simple as it seems — a sophisticated, educated eye is required to achieve such a sense of harmony and balance within an architectural environment.

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